On Sunday, we finally made a hike I’ve long wanted to do. We would hike up Barrier Creek in Horseshoe Canyon to the Great Gallery, which displays some of the finest rock art to be found.
Horseshoe Canyon occupies its own, detached section of Canyonlands National Park, and getting to the trailhead requires driving 30.6 miles on a graded road of moderate quality. We got up before the sun, made coffee/tea, downed cereal and took off. After an hour of bouncing down the dirt, we arrived at the trailhead, just minutes after Ranger Bryce of the National Park Service, who was there to give a free tour.
Along with the young ranger and one other couple, we took off down the trail toward the canyon bottom. Ranger Bryce explained that the road had been constructed in the ‘20s to access an oil well. The well never produced, so the oil company departed, and a local rancher started maintaining the road into the ‘50s. Today, the abandoned route makes a nice hiking path.
It’s a 1½ mile hike, mostly on slickrock, from the rim to canyon bottom. Along the way, we passed a dinosaur footprint, learned a bit about the geology of the area and examined old photos of the road that Ranger Bryce brought along.
Shortly after reaching the canyon floor, we encountered our first panel of pictographs. They were painted high on a sandstone wall, so the Park Service imaginatively named this the High Gallery. Ranger Bryce said that experts believe the prehistoric painters must have used scaffolding to reach this lofty canvas.
Next stop a short distance away was the Horseshoe Shelter Gallery.
The figures with their trapezoid bodies are examples of the Barrier Canyon style, named for Horseshoe Canyon’s original name. Range Bryce explains that nobody knows their meaning, and their age, whether measured in centuries or millennia, is open for debate.
While beautiful, the 2½-mile hike along the canyon floor was mostly a slog through loose sand. Fortunately, Barrier Creek flowed in places, and the damp ground beside the stream provided welcome sections of hard-packed ground. Then it was back to the sand.
About half-way up the canyon, we came to the Alcove Site, which surprisingly featured pictographs painted in an alcove.
After more slogging up the canyon, we finally reached the grand prize – the Great Gallery. It featured a long wall of pictographs, some of which Ranger Bryce said were over eight feet high. (Chains keep visitors away from the base of the pictographs, so we couldn’t measure the eight ourselves.)
We sat on rocks in the shade of a cottonwood along with a few other hikers who preceded us to the site, pondering what message those early inhabitants were trying to convey. Ranger Bryce does not believe that it was a depiction of a visit by extraterrestrial aliens, but he’s never been to Roswell.
Ranger Bryce needed to depart early to attend to paperwork before he set out on a three-day patrol of Canyonland’s Maze District. We stayed. When another hiker with a big camera appeared, we departed for the hot, sandy slog back to Tighty.
Finally approaching the trailhead, feeling sunbeaten and fatigued, my only regret was that I hadn’t had the foresight to stash a cooler of cold brews in the truck.